Kath Nelson.
Terry Nelson.
Tom Nelson.
Emma Kenny.
Reece Kenny.
Mike Ganley.
Jojan Ganley.
Julie Smith (Guest).
Lisa Holland (Guest).
Ian Holland (Guest).
Ali ? (Guest).
Our thanks to Julie, Lisa, Ian and Ali for joining us this evening
in our home circle, for what was another wonderful sitting with Red
Cloud and our Spirit team. We ask for nothing but to sit in this
wonderful space with Spirit, but receive so much - the Love that pours
from the Spirit world is palpable in every sitting - Thank you Red Cloud
for guiding us throughout.
All communication with Spirit this evening was via the table (with the occasional nod of the trumpet).
The circle was opened this evening with a Prayer by me (Terry), the
table was on the move as the Prayer was being said, up and over to guest
sitter Lisa, and then back to the centre of the circle. The table now
turns upside-down, levitates to a position just above our heads, then
back to the floor the right way up.
Our first communicator, as
always, is Red cloud - we welcome Red Cloud to the circle, and he says
“Welcome everyone…Hello Julie.” “Oh, hello Red Cloud.” says Julie as
the table moves across and onto her knee. “Oh thank you Red Cloud, it’s
lovely to be here again.” says Julie. Moments later the table is back
to the centre of the circle; it now moves closer to me and guest sitter
Ali. Red cloud then communicates a very personal message to Ali, and at
the end of the message Ali is asked to put his hand, palm upwards, on
the table.
There is a now a few moments of silence - Kath asks Ali to describe
what is happening…Ali then says “Thank you, they’ve just put a card
between my fingers.” “Can we look?” asks Kath. “Yes.” says Red Cloud.
We put on the red light to find that Ali has received an apport of an
Angel card, which reads: ‘Peace, encouragement, Awareness, Commitment -
Empowerment’. Ali thanks Red cloud for his gift, Red Cloud then gives
Ali another personal message - “Thank you, God Bless you.” says Ali.
The “Drum.” asks Red Cloud - Tom puts on the red light and the shamanic
drum and beater are brought in and placed on the table, which is
rocking wildly until the drum is placed on it. The light is put off and
the beater rises up from the drum. As Red cloud starts to beat, the
drum rises up also, and both are seen to move out of the circle over
Jojan and Lisa’s head to the back wall. The drum and beater now slowly
drop down to just above floor level, all the while Red cloud continues
with the rhythmic beat.
The drum and beater now rise up from the
floor, back into the circle over Jojan’s head, they stop and rest on
Jojan’s head as the beat continues. Seconds later the drum and beater
are back on the circle table; the drum moves round the circle of hands,
resting for a few seconds with each sitter before moving on to the next -
first Ian and then myself, then over to Julie. As the drum reaches
Julie it begins to turn round and round while Red cloud is beating it.
The tone of the drum now changes, and we realize that Red Cloud is
now beating it with his open hand - “Amazing!” says Julie. As Red cloud
continues to beat the drum with his hand we see the beater also
drumming, but on the table. We now hear dum dum du dum dum…dum dum
[laughter] on the drum, this signifies to us that Red Cloud has
finished. “Have you had enough of that?” asks Kath. “Yes.” says Red
cloud.
We put on the red light to remove the drum and beater, the
table begins to rock again whilst the drum is being removed - Kath asks
if we should put the hoops on the table whilst the light is on, “Yes.”
says Red Cloud. We ask how many hoops Red Cloud would like and he
settles for all three. The two full sized hoola hoops and the smaller
hoop are placed on top of sitters hands that are resting on the table
and then the light is put off.
All three hoops now rise up from
our hands and come to rest in a vertical position over the table -
within seconds one hoop is over Ali and Julie, then one is over Ian and
Reece. There is lots of laughter within the circle as the hoops now
begin to shake whilst resting on their shoulders. Julie now tells us
that someone is rubbing her left arm - “Where is your hand Mike?” asks
Kath jokingly as Mike is seated to Julie’s left, but Mike is not the one
touching her.
The hoops are now shaking and vibrating even faster now - one is
now spinning over the table top. Moments later we ask if we may put on
the light to look - “Yes.” says Red cloud. The red light is put on and
photos are taken of sitters inside the hoops, and as the light goes off
the hoops are immediately lifted from one sitter and placed over another
- we now have Reece and Ian inside the same hoop. Ian tells us that
his hand is now being touched and that he is being pulled across the
table.
Lisa tells us the same, her hand is being guided over the table,
Lisa then tells us her hand is being placed on another hand - Ian
immediately tells us that it is his hand that Lisa’s has been placed on.
The hoops are now shaking and vibrating again - Lisa describes how her
and Ian’s hands have now been clasped together and raised up above the
table. Tom now tells us that the camera has been taken from his wrist,
and I jokingly ask “Are you going to take a photo of us Red cloud?” It
is at this point that Reece tells us that the camera has been placed in
his hand. We ask if we may put on the light to look - “Yes.” says Red
cloud.
As the light goes on we find Ian and Reece inside the hoop, Ian and
Lisa’s hands are clasped and in the air above the table and Reece is sat
with the camera on the table with its strap around his wrist. Photos
are taken with the other camera and then the light is put off. Julie
now tells us that she has been pulled over the table and that her hair
is being stroked - immediately after this the hoops are taken from
sitters and Red Cloud asks me to remove them from the table. Moments
later Reece is pulled over the table and the camera is taken from his
wrist and given back to Tom - “Bye.” says Red cloud. “God Bless, don’t
come back too soon.” says Kath jokingly as Red Cloud leaves the table
[laughter].
I ask if we have a new communicator, the table
motions ‘yes’ then raises three feet off the floor as our fingertips
touch its edge. The table stays in this position (levitating) for a
couple of seconds so I ask for a name. The table (still levitating)
communicates the letter ‘D’ - “Dick?” I ask. “Yes.” says Dick. The
table now moves across the circle to where Julie is sat - “Oh hello
Dick, its nice to meet you again.” says Julie as the table hovers near
her. Moments later the table is back on the floor in the centre of the
circle.
“Is Mum (Mary) here Dad?” Asks Kath. “Yes.” says Dick.
“Just so I know.” says Kath. Dick then says “Energies amazing!”
“Yyyesss!” shout sitters. Dick now communicates “Me…” through the table
- I interrupt with “Megaphones?” “Yes.” says Dick. “Two?” I ask.
“Yes.” says Dick. Tom puts on the red light and I bring in two large
trumpets (megaphones) and place them on the now rocking table. As the
light goes off one megaphone rises up off the table and glides across to
Ali who is seated next to me. “Hello.” says Ali as the trumpet hovers
in front of his face for a second before dropping gently down to his
hand.
I ask Ali if the trumpet has been placed on his hand and he says
‘yes’. “Tell us what you experience and feel.” says Mike to Ali. As
Ali describes to us what is happening with the trumpet on his hand…we
hear air being blown down the trumpet - “Yes, air being blown down the
trumpet.” says Ali. Ian now tells us that a trumpet has been placed on
his hand, and that air is being blown down the end of it (audible to
all). We then hear quite a rude raspy sound down Ian’s trumpet - “I’m
not sure what end that came out of.” says Ian jokingly [laughter].
Both trumpets are off sitters hands now, as one hovers over the table
the other one is out of the circle behind Lisa. As they both hover in
the air, the one over the table begins to conduct to the background
music, and the one out of the circle begins to copy its movements
(mirror image effect). I comment on how beautifully Dick conducts to
the music, many sitters agree, but Mike says nothing…suddenly he gets a
tap on the head with a trumpet [laughter]. “Yes, you are a good
conductor Dick.” says Mike [more laughter].
Lisa now has the
attention of the trumpets - “Patting me round the head, on top of my
head now, thank you.” says Lisa. Next we have Emma calling out “My arm
is inside the trumpet.” We now hear kisses being blown down the trumpet
on Emma’s arm - “Thank you Granddad (Dick).” says Emma. The trumpet on
Emma’s arm now starts to turn round clockwise on her arm - “Thank you,
love you.” says Emma.
Both trumpets are now up in the air above the table, and now we see
the gyro effect as they spin round and round, inter-twining with each
other as they do so, first in a clockwise motion and then an
anti-clockwise motion - “Wow!” say sitters. One trumpet now goes over
to Lisa and it taps her fingers, then her arm is inside the trumpet.
Julie’s arm is now inside the other trumpet, and both her and Lisa
describe how their hands are being squeezed by a very strong grip on
their trumpets.
Both Julie and Lisa’s trumpeted hands are now
pulled towards the centre of the table and raised slightly. We put on
the red light to howls of laughter as we see both Julie and Lisa almost
nose to nose over the table. As the photos are taken Ian says jokingly
“Is there something you two aren’t telling me?” [laughter] “You should
be so lucky.” says Kath jokingly [more laughter].
As the red
light goes off both Julie and Lisa are pulled back into their respective
chairs by Dick. Dick then pushes the trumpets even further up their
arms and blows kisses down both trumpets - “Thank you so much.” say
Julie and Lisa. Dick then says “More.” “More trumpets?” I ask. “Yes.”
says Dick. “All seven?” I ask. ”Yes.” says Dick. Tom puts on the red
light and I bring in five more trumpets and place them on the table.
Dick then picks up each trumpet in turn and places it on a sitters hand
- first Ali, then Ian, then Dick puts a trumpet on my hand and pulls me
over the table. Dick then puts a trumpet on Jojan’s hand and finally
one on Kath’s hand. “Can we look?” asks Kath. “Yes.” says Dick. Tom
puts on the red light - seven trumpets on seven hands, all leaning in
towards the centre of the table. Tom takes photos of this and then the
light is put off. Within seconds all trumpets are taken from sitters
hands and are bunched together just above the table - “Like a bunch of
flowers.” says one sitter.
Moments later the trumpets separate and one goes out of the circle
again behind Lisa. We see the mirror image effect again as the one out
of the circle copies the movements of the bunch still over the table.
The lone trumpet comes back into the circle, and we can now see the
trumpets being put inside of each other - first one, then two, then
three, this goes on until all seven trumpets are now one extra large
trumpet.
“Well done Dick.” say I as Dick now starts to shake and
vibrate the trumpets to pack them more tightly together. We now hear a
noise and realize that the spare table that is seated behind Mike and
Kath, is on the move. Within seconds the spare table comes into the
circle over Mike’s shoulder - it turns upside-down and seats itself on
top of the circle table. Both tables now rise up off the floor for a
few seconds, then drop slowly back down. As they touch the floor they
move across the circle to Kath.
Dick now tilts both tables over
to a near horizontal position, and we are allowed the red light on to
witness this and to take photos. As the light goes off the tables rise
back upright, the top table then turns the right way up and re-seats
itself on the circle table with legs to table-top. The trumpets are
then placed on top of the upper table by Dick. Tom now tells us that
the camera has been taken from him, and that his hand is being guided up
onto the top of the table, then it is placed inside the end of the
trumpets that are sat on the table-top.
We are allowed to put on the red light, and when we do we find Tom’s
arm stretched up on table-top, inside the bunch of trumpets [laughter].
Photos are taken and then the light is put off. Tom’s hand is now
released from the trumpets - the top table now slides away from the
circle table, and the circle table now turns upside-down and comes to
rest on the floor. Dick now throws the trumpets out of the circle
between Ian and myself - “You missed.” say I jokingly as one whizzes
past my shoulder on the way out [laughter].
The spare table now
glides back out of the circle between Mike and Kath, back to its
original position in the corner of the room. The circle table, now back
in an upright position, motions that Dick wishes to communicate -
“Bye.” says Dick. “God bless, bye.” say sitters as Dick leaves us.
Our next communicator gives us the letter ‘L’ through the table - “Is
this a young boy?” I ask. “Yes.” comes the reply. “Is it Luke?…yes it
is.” says Julie as the table goes over to her for a cuddle. “Hello
Luke, good to see you.” says Julie as the table rocks excitedly on her
lap. Seconds later the table is back in the centre of the circle -
“Mama Julie.” says Luke - “Awww.” says Julie and Lisa [laughter]. “I
love you too.” says Julie.
“Do you remember her (Julie)?” asks
Kath. “Yes.” says Luke. Luke then communicates the letter ‘R’ through
the table - “Would that be ‘rope’?” I ask. Luke hesitates with his
reply which usually means that there is more, so I say ‘Ropes?’ “Yes.”
says Luke. “All three?” I ask. “Yes.” says Luke. Tom puts on the red
light and I bring in the three skipping ropes and place them on the
table - the table is rocking quite fast all the while the light is on.
“All yours Luke.” say I as Tom puts off the light. Although we are
now in darkness there is still lots we can see as all three skipping
ropes have quite large luminous tabs on their handles, and give off
quite a glow. We can now hear, and partially see one of the skipping
ropes lift up off the table as Luke unravels the rope from the handles.
Within seconds the rope is up in the air, the handles spinning round
ever so fast, creating a wonderful wheel of light in the darkness -
seconds later this rope is out of the circle behind Kath and Lisa, the
circle of light getting bigger and bigger, until it is nearly floor to
ceiling.
“Well done Luke!” says Julie as the spinning rope comes
back into the centre of the circle. Jojan now tells us that the rope is
being put around her neck - now we have one end of the skipping rope
round Jojan, whilst the other end is spinning round ever so fast in
front of her…so close, but not touching her. “It’s amazing isn’t it?”
says Mike. “Very clever.” says Julie as her hand is now pulled over the
table, as are other sitters hands and tied together with a skipping
rope.
The red light is put on once again to find nearly all
sitters trussed up with the skipping ropes over the table - Lisa and
Ian’s hands had been pulled forward and placed upon each other whilst
tied together, other sitters hands, also tied, were resting on the
table. As the light goes off Julie tells us that her face is now being
stroked - “Now he’s pulling my hair.” says Julie jokingly [laughter].
Once again the light is put on and photos are taken.
As the light goes off Luke takes the rope from around Jojan’s neck,
he also takes the ropes from other sitters hands and puts them in
Jojan’s lap. The circle table now moves away from the centre of the
circle and ends up over on Kath.
The ropes are now taken from Jojan,
and we can see them dancing just above floor level in the centre of the
circle. The circle table is on the move again, and seconds later it is
over on Tom’s lap, then up and over Tom’s head. Tom is now inside the
table, and as we put on the red light to look, we find the skipping
ropes all tied up round the table’s legs and Tom sat in the middle of it
all [laughter]. Reece takes photos of Tom and the table, and as the
light goes off the table rises up off Tom and comes to rest back in the
centre of the circle.
Luke now communicates the letters ‘sm’
through the table - I interrupt with “Small drum?” “Yes.” says Luke.
“Anything else?” I ask. Luke then tells us that he would like the
trumpet and tambourine too. Tom puts on the red light and I bring in
the requested toys for Luke and place them on the table. I ask if he
would like the drumsticks too and he answers ‘yes’. The table is rocking
quite fast, and I ask Luke to slow down so I may put the toys down on
it - this he does.
As the light goes off Luke immediately picks up the tambourine and
shakes it in the air above us. Moments later Lisa tells us that the
tambourine has been placed on her head. We now see the drum rise up
from the table, and within seconds Tom is telling us that it has been
placed on his head [laughter]. The drumsticks are now moving on the
table, they then begin to tap on the table-top. Moments later a
drumstick moves over to guest sitter ‘Ali’ and taps his hand. Kath asks
“Do you want him (Ali) to take it (the drumstick) Luke?” “Yes.” says
Luke.
As Ali takes the drumstick from Luke and holds it out in
front of him, Luke now begins to sword-fight with Ali, using the other
drumstick [laughter]. Luke now takes the drumstick from Ali and gives
it to Reece - Reece is now sword-fighting with Luke, using the
drumsticks [more laughter]. The small plastic trumpet now lifts up off
the table, and we watch as it glides out of the circle over Kath’s head
to the back wall. We now hear Luke blowing on the trumpet before
bringing it back into the circle and over to Ali.
“Hello, can you
play?” asks Ali as the trumpet hovers just in front of his face.
“Yes.” says Luke with a nod of the trumpet [laughter]. We can now hear
Luke playing with the valves on the trumpet, and moments later we can
hear Luke playing what can loosely be described as a tune as he blows
down the mouthpiece [laughter]. The drumsticks are now tap tap tapping
on the table again. Luke then takes the trumpet over to Lisa, and then
over to Julie, and then out of the circle once more, playing a tune on
it as he does so. Luke then brings the trumpet back into the circle,
over to Ali, then over to Ian, then Luke drops the trumpet gently to the
table.
“Do you want rid?” Asks Kath. “Yes.” says Luke. Tom puts on the
red light for me to remove the toys - all sitters laugh out loud to see
Lisa with a tambourine for a crown on her head, and Tom with the drum on
his head - the table motions laughter also. Photos are taken and then
the toys are removed from the circle before the light is put off.
“Bye.” says Luke through the table. “Bye Luke.” say sitters as he
leaves us.
Our next communicator comes to the table and gives us
the letters ‘P’ and ‘R’, I assume, and am right in my assumption that it
is Pretty Lucy. We welcome Lucy to the circle, and when asked if she
had anything to say, Lucy gives us the letter ‘T’ through the table.
“Is that ‘Trumpet’?” asks Kath. “Yes.” says Lucy. I ask Lucy how many
trumpets she would like, and suggest four - “Yes (four).” says Lucy.
Lucy then gives us the letter ‘H’ through the table - Kath and I know
from previous sittings that Lucy likes to use the small cardboard hoops
with the trumpets - “Hoops?” asks Kath. “Yes.” says Lucy.
As Tom
puts on the red light the table begins to rock whilst I bring in four
trumpets and four small hoops. I can only see two small trumpets in the
dim red light - Kath asks Lucy if this will be ok…“Yes.“ says Lucy. I
place them on the table and then Tom puts off the light. The hoops,
like the trumpets, have luminous tabs on them, so we can see what Lucy
is doing as she lifts up, first the trumpets, and then the hoops. Lucy
then puts two hoops over each trumpet and puts a trumpet on Lisa, and
then Julie’s hand. Lucy then tilts the trumpets so that the hoops
transfer over to their hands.
Julie and Lisa now tell us that they can feel Lucy squeezing their
hands through the trumpets, and that Lucy is doing something with the
trumpet ends. We are allowed the red light to look, and find the
trumpets attached at the thin end, still on Julie and Lisa’s hands, but
resting on the table-top - the hoops resting on their wrists. Photos
are taken - “She’s a clever girl, aren’t you Lucy?” says Julie as the
light is put off.
Lucy communicates the letter ‘K’ through the
table - “Keyboard?” I ask. “Yes.” says Lucy. “Just one (as we have
two)?” I ask. “Yes.” says Lucy. Tom puts on the light and I bring in
the keyboard and place it on the table which is again rocking. The
light goes off, and for the next few minutes we sit and watch as Lucy
picks the keyboard up from the table and plays various tunes on it
whilst it is floating just above the table.
We all begin to laugh
as Lucy continues with her barrage of different tunes, sometimes just
playing one particular tune for a couple of seconds before moving on to
the next. Lucy now plays the inbuilt tune ‘Oh Suzanna’ which we all
sing along to. Lucy then plays a couple of bars of ’Jingle Bells’ and
then straight back to ’Oh Suzanna’ [laughter]. The keyboard is floating
in the air all the time Lucy is playing it.
Moments later Lucy
brings the keyboard down and places it on Ali’s fingers that are on the
edge of the table. Lucy then strokes Ali’s fingers - “Thank you Lucy,
you have pretty hands.” says Ali. Lucy plays the keyboard again - we
now have the tune ’Oh When The Saints’ which we all sing along to as
Lucy takes the keyboard out of the circle behind Kath. Lucy gently puts
the keyboard on the spare table (behind Kath and Mike) and changes the
tune to ’Oh Suzanna’ once more.
As the music stops, Lucy communicates through the main circle table
“Rib…” “Ribbons?” I ask. “Yes.” says Lucy. “How many?” I ask. “Two.”
says Lucy. Tom puts on the light and I bring in two ribbons and place
them on the table. Once the light is off Julie tells us that her hand
has been taken and that a ribbon is being tied to her wrist in a bow.
As Julie’s hand is placed back on the table by Lucy, Lisa tells us that
her hand has now been taken, and that a ribbon is now being tied to her
wrist - “Is it one hand or two (that is doing the tying)?” I ask Lisa.
“Two (hands).” says Lisa. Lucy now taps Lisa’s hand to indicate that
she has finished. Ian now tells us that his hand has been taken and
that something has been placed in it - “Thank you.” says Ian.
Julie now tells us that her hand has had something placed in it - “Thank
you.” says Julie. We put on the light to find that Julie and Ian had
received apports of Angel cards from Lucy, and that both Julie and Lisa
had ribbons tied in beautiful bows on their wrists by Lucy. “Thank you
so much.” say sitters. As the light goes off Lucy say ‘Bye’ through the
table - “Bye, thank you Lucy.” says Julie.
Our next communicator
to the table gave us the name ‘Tracey’ - “Good evening, Is this our
Tracey?” I ask (Tracey is Reece’s Mum, and Kath/Terry’s niece). “Yes.”
says Tracey. The table moves across the circle to Reece for a cuddle,
and then moves back to the centre of the circle. Tracey then
communicates the letters ‘P’ and ‘E’ through the table - “Is this
‘pencil and paper’?” I ask. “Yes.” says Tracey. Tom puts on the red
light and I bring in the A4 paper and pencil with luminous tab on its
stem, and place them on the table. Tom checks both sides of the paper
to make sure it is blank, the light is then put off.
For the next two minutes we sit and watch as the pencil moves across
the paper - Tracey then puts the pencil down on the paper, this
signifies to us that she has finished writing. “May we look?” I ask.
“Yes.” says Tracey. Tom puts on the red light and we read Tracey’s
message to her son Reece - “My beautiful Son, well done, I am glad you
came here. I have a poem for you…another time. Remember, I am always
with you…I am so proud. Love you always, Mum xxx.” I put the message
to one side for safe keeping until I can laminate it at end of sitting
for Reece.
“Thank you.” says Kath - I think that Tracey may have
stayed longer, but at this point we had been sitting for an hour and
twelve minutes, and it is around this time that the energies begin to
wane. “Bye.” says Tracey. “God Bless you Tracey, bye.” say sitters as
Tracey leaves us.
We welcome Red cloud back to the table, and
when asked if he had anything he would like to say, he said “Amazing
energies, come again.” to our guest sitters. “Thank you Red cloud.” say
our guests. All sitters gave thanks to Red cloud and Spirit team for
the very enjoyable evening that we all had. Red Cloud then asked us to
close the circle.
The circle was closed with a Prayer by Kath.
Duration of sitting: One hour and seventeen minutes.
Terry Nelson.
---------------------------------------------------------------------
Below are various photographs taken during the sitting as phenomena occurred - some were taken with a normal flash camera, and some were taken with the red light torch and digi-camcorder (snapshot feature).
Red Cloud puts the healing hoops around
Lisa, Reece and Ian's bodies.
------------------------------------------------
Red light photo of healing hoop around Lisa.
---------------------------------------------
Red light photo of healing hoop
resting on sitters hands.
----------------------------------------
Red light photo of healing hoop
over sitters hands.
------------------------------------------
Guest sitter Julie with the healing hoop,
put round her by Red Cloud.
----------------------------------------------
Red Cloud clasps Lisa and Ian's
hands together then raises them up.
----------------------------------
Red light photo of sitters clasped hands.
-----------------------------------------
Red light photo of the healing hoop
round Reece and Ian.
--------------------------------------------
Dick (Kath's Father in Spirit) puts a trumpet
on Lisa and Julie's hands, then pulls them
both over the table to this position.
--------------------------------------------
Red light photo of the trumpet on Julie's hand.
------------------------------------------
Red light photo of the trumpet on Lisa's hand.
-------------------------------------------
Dick puts trumpets on seven sitters hands,
then positions them over the table.
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Red light photo of seven trumpeted
hands over the table.
----------------------------------------
Dick brings in the spare table and puts
it upside-down on circle table, then
puts sitters hands on top of table legs.
-----------------------------------
Dick places the spare table on top of the
circle table, then puts trumpets on top,
then puts Tom's hand inside the trumpets.
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Spirit child Luke uses the three skipping
ropes to tie up the sitters.
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Red light photo of sitters hand tied with
skipping rope by Luke.
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Sitters clasped hands are tied with the
skipping rope by Luke.
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Spirit child Luke puts the circle table
over Tom's head.
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Spirit child Luke puts the tambourine
on Lisa's head.
--------------------------------
Red light photo of the tambourine on Lisa's head.
----------------------------------------
Spirit
child 'Pretty Lucy' puts the hoops
and trumpets on Lisa and Julie's
hands,
then joins the trumpets together,
then positions them over the
table.
-----------------------------------------
Spirit child 'Pretty Lucy' ties a ribbon
in a bow on Lisa's wrist.
-----------------------------------------
Spirit child 'Pretty Lucy' ties a ribbon
in a bow on Julie's wrist, then puts
an apport of an Angel card
in her other hand.
------------------------------------------
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