The Rainbow Circle Physical Mediumship Sittings 3.: Rainbow Home Circle

Sitters:

Kath Nelson.
Terry Nelson.
Doris Forster.
Helen Henderson.
Ross Henderson.
Mike Ganley.
Jojan Ganley.
Jean Stevens.
Sean Docherty.

Our thanks to President of Mansfield Spiritualist Centre ‘Jean Stevens’ and ‘Sean Docherty’ for travelling all the way from Mansfield to be with us this evening, and what an evening - our Spirit friends filled the room with Love and Laughter from start to finish.

There were various instances of Direct Voice this evening, but all other communication with our Spirit friends was via the table.

Our circle was opened this evening with a Prayer by Jean - the table was already up in the air before Jean’s first words…”Bless you, thank you.” says Jean as the table lands on her knee. As the table goes back to the centre of the circle Jean continues with the Prayer. “Fingers on (the table).” says Kath - we reach out for the table to find that it is levitating in the centre of the circle, and as our hands touch it, it drops gently to the floor.

“Good evening Red Cloud.” say sitters as the table communicates the letter ‘R’. “Welcome everyone.” says Red Cloud. Red Cloud continues “Jean, glad you are here. Sean, thank you for bringing Jean.” [laughter] “It’s a pleasure.” says Sean. “Oh, it’s lovely to be with you again Red Cloud, it really is.” says Jean. Red Cloud then says “Energies…through the roof!” Moments later Red Cloud asks for the drum - “Do you want the hoops after?” asks Kath. “Yes.” says Red Cloud. As I put on the red light torch to bring in the drum and beater the table begins to rock very fast - the table stops rocking when the drum is placed on it.

As the light goes off Red Cloud immediately picks up the beater and begins to tap on the drum - within seconds the drum and beater are up in the air and out of the circle behind Kath and Jojan to the back wall. Red Cloud continues with the beat as the drum comes back into the circle over Jojan’s head and down onto her hands. From Jojan the drum moves over to Doris and comes to rest half on her fingers half on the table - the beater is now tapping the table as well as sitters fingers [laughter].

The drum now moves over to Jean, coming to rest over her fingers, and then over to me (Terry) where the beat gets faster. Red Cloud is now tapping the side of the drum as well as the top.

The drum is now up in the air again, still being beaten by Red Cloud, and seconds later it slowly drops to the table. Red Cloud places the beater on top of the drum, I ask if he wishes it to be removed - “Yes.” says Red Cloud. The light is put on and the drum and beater removed from the table.

The hoops (two full sized and one three quarter sized) are then brought in and placed on top of sitters hands that are resting on the table’s edge. As the light goes off the hoops begin to shake, and seconds later one is up in the air, well above our heads to the ceiling light, and then slowly back down and placed over Jeans head by Red Cloud.

The second hoop is now up and over Sean and Ross’ heads, and moments later the third hoop is up and over Helen and Jojan’s heads. All three hoops now begin to vibrate whilst over sitters heads and resting on their shoulders. As the hoops stop vibrating Kath asks “Is it picture time?” “Yes.” says Red Cloud. I put on the red light torch and then Mike and I take photos of the hoops over sitters - the table rocks, and the hoops shake as photos are taken.

As the light goes off the hoops are taken from Jojan, Helen, Ross and Sean, and are placed over Jean who now has three hoops over her. “That’s fantastic friend, thank you.” says Sean as his fingers are grabbed by a hand over the table. We put on the light once more so that we may take photos of Jean with the three hoops around her - “You must need some healing Jean.” says Kath - “Yes, that would be wonderful.” says Jean. As the light goes off the hoops are taken from Jean and are now over the table vibrating rapidly. Moments later Red Cloud nudges the table - “Do you want rid of them now?” asks Kath. “Yes.” says Red cloud.

The hoops are safely removed from the table, and then Red cloud says ‘Bye’. “God Bless you, thank you.” say sitters as Red Cloud leaves us. The table now rises up off the floor and hovers there - “Are you going to communicate from there (mid-air)?” I ask. “Yes.” is the reply. Our new communicator then gives us the letter ‘D’ through the table that is still levitating. “Dick?” I ask. “Yes.” says Dick. “Good evening Dick say sitters - “It’s my Dad, is my Mother here?” asks Kath. “Yes.” says Dick. Dick continues “Jean, nice to see you again.” “Well done.” says Jean as the table now jumps onto her knee.

Moments later the table is back on the floor and Dick communicates the letter ‘M’ through it - “Megaphones?” I ask. “Yes.” says Dick. “Two?” I ask. “Yes.” says Dick. The light is put on and two megaphones are brought in and placed on the circle table - As the light goes off one megaphone is immediately up in the air; it goes straight over to Jean and Sean…”Hello.” says jean as the megaphone hovers in front of her face. “Hello.” says Sean as it moves across to him, then taps him on the head [laughter].

Both megaphones are now up in the air, one flies out of the circle over Jojan’s head to the door area whilst the other one hovers about three feet above the table. We now see the ‘mirror image’ effect as they both start to conduct to the music, the one out of the circle copying exactly the movements of the one over the table. “That’s beautiful.” says Jean. “It is.” says Sean. As the megaphone on the outer comes back into the circle it taps Jojan on the head, then joins with the one hovering over the table.

We now witness the ‘gyro’ effect as both megaphones start to spin round in circles, intertwining with each other as they do so, first clockwise and then anti-clockwise in motion. “That is beautiful.” says Jean. “We call it ‘the light show’ don’t we Dad.” says Kath to Dick.

One of the megaphones is now over to Jean, and within seconds her arm is inside it, the other one is over to Sean and his arm is now inside that one. “Oh, I can feel the pressure (Dick’s hand squeezing Sean’s through the megaphone).” says Sean. “I can feel a hand squeezing mine (through the megaphone), but I can also feel a hand touching my other hand.” says Jean. We now hear air being blown down the megaphone on Jeans arm, then a raspberry sound down it. “Oh well done, that’s different, very different.” says Jean.

Moments later Dick communicates through the table - “Do you want more (trumpets)?” asks Kath. “Yes.” says Dick. “All five?” I ask. “Yes.” says Dick. The light is put on and five more smaller trumpets (the megaphones being large trumpets) are placed on the table by me. As the light is put off the table begins to rock as Dick picks up one trumpet and takes it across to Helen and puts her hand inside it, he then picks up another and puts her other hand inside this one. Dick then grabs hold of Ross’ fingers and puts them in the other end of the trumpets that are on Helen’s hands.

Doris now tells us that her arm has been put inside a small trumpet by Dick. I (Terry) also have a small trumpet put on my hand and up my arm. “Very strong (grip).” says Doris. “Yes, a very firm grip.” says Jean. Mike now tells us that he has a trumpet on his arm. We are allowed to put on the red light to look and to take photos - all trumpeted arms are resting over the table as we do this. As the light goes off the trumpets are taken from sitters arms by Dick. Dick now bunches all trumpets together over the table, and as they hover just above us Jean comments on how they look like a big bunch of flowers.

The bunch of trumpets now move across the circle to Mike and tap him on the head [laughter], and from Mike they fly out of the circle over Kath’s head to the spare table seated behind her. Seconds later they are back in the circle and on the table - Dick then puts one trumpet on Jean’s arm, then he puts another over this one (like a glove), then another, and another until Jean has four trumpets on one arm. This makes up an extra long trumpet that is stretching across the circle to Mike who is sat opposite Jean, and Mike tell us that the trumpet is tapping him on his shoulder. Sean now tells us that a trumpet has been put on his arm again.

“Picture time?” asks Kath. “Yes.” says Dick. I put on the red light torch and find Sean leant across the table with a large trumpet on his arm - Dick had pulled him across the table just before the light went on. Photos are taken and then the light is put off - Sean is immediately pushed back into his chair by Dick and the trumpet is taken from his arm. “Thank you very much.” says Sean. Jean still has the extra long trumpet on her arm, but another trumpet now hovers over the centre of table, and seconds later we hear a female voice say ’Hello’ down it. “Hello.” says Jean - the female voice was that of Mary (Kath’s Mum in Spirit).

Mary then says something else down the trumpet, but this is very muffled and we cannot make out what was said - Sean suggests what she might have said, but Mary shakes the trumpet from side to side to indicate ‘no’. Mary now repeats what she said “Glad you came.” which was clearer and understood. “Oh I am glad I came, it’s lovely to meet friends again.” says Jean. Moments later the trumpet is up in the air again conducting to the background music - “He (Dick) can’t resist it can he (conducting)?” says Kath. “Is it Dick (as opposed to Mary) conducting?” I ask. “Yes.” says Dick with a nod of the trumpet.

One trumpet now goes over to Doris, but gets a little close - “I’ve got one in the chops.” says Doris. Doris then says “Oh it’s rubbing my cheek now…it’s alright, it didn’t hurt.” Next we hear kisses being blown down the trumpet near Doris - “Bless him.” says Doris. “Quality.” says Sean. We now hear more kisses being blown down the trumpet - “And I get a belt.” says Helen as a trumpet taps her on the head [laughter]. The trumpet now flies out of the circle to the spare table seated behind Kath and Mike - the trumpet first taps the table, and then the wall - “And me!” says Mike as he is tapped on the head [laughter].

We now have the trumpet first tapping the outer table, then the inner table, arcing between the two, this goes on for a few seconds…”Well done.” says Jean. Moments later the trumpet is above the circle table doing ‘figure of eights’ in the air - “It’s the quickness of it, isn’t it.” says Jean. “It is.” say sitters. Moments later Dick throws the trumpet out of the circle over my shoulder [laughter], but another trumpet is now hovering in the air - I now start to cringe, not knowing if this trumpet is coming my way or not.

Jean now tells us that the trumpet has been taken from her arm, we watch as it meets up with the other trumpet above the table - “That’s amazing…the control.” says Sean as the trumpets fly around above us. Moments later we have the ‘Gyro’ effect again as the trumpets intertwine with each other as they spin - “Brilliant as ever Dick.” says Helen. “You get lost for words to describe it.” says Mike. Seconds later Mike has his hand inside a trumpet, and his fingers are being squeezed by Dick’s hand on the outside of the trumpet.

The other trumpet is out of the circle again, this time behind Jojan, it is stroking her back, then it is over to the door conducting to the music once more. ‘How Great Thou Art’ is playing on the CD player, Mike starts to sing along - “Careful Mike.” I say, because Mike normally gets a tap for singing - “I got it.” says Mike as the trumpet taps him [laughter]. Moments later, as the trumpet hovers in the air, we once again hear a female voice say ‘Wonderful’ down the trumpet. “It is wonderful, thank you for that.” says Jean. “Well done.” says Mike. We then hear ‘Bye’ down the trumpet, again a female voice. “Bye Mum.” says Kath to Mary. “Thank you very much.” say sitters.

The spare table seated behind Mike and Kath now begins to stir, and within seconds it is in the circle between Mike and Kath, turning upside-down on its way in, and coming to rest on top of the circle table - this occurred in the space of about three seconds, so smooth and controlled as it came in. Both tables, now firmly stuck together by Spirit energy, slide across the carpeted floor towards Kath, then begin to tilt over. Dick stops the tilt at about forty five degrees, then allows them to drop suddenly by about three inches [laughter] “He’s just testing us.” says Kath [laughter].

Dick now tilts the tables over to near full horizontal position, still firmly stuck together with just our fingertips on the edge of the top table for energy purposes. Dick holds the tables in this position whilst I put on the red light and take a normal flash photo - the flash has no affect on the energies. As the light goes off Dick lifts the tables back up to a vertical position, then moves the top table off and over onto Jojan’s lap. Seconds later Dick turns the spare table over and puts it back on the circle table with the legs facing down - the spare table is now dancing on top of the circle table.

After a few moments of dancing around on top of the circle table, Dick lifts the spare table off and takes it back out of the circle to its original position in the corner behind Mike. “Well done Dick.” say sitters. “Bye.” says Dick. “Bye Dick and Mary, God Bless.” say sitters as they leave us.

Our next communicator to the table spells out the name ‘Charles’ - I ask Charles if he is new to the circle…”Yes.” says Charles. I then ask Charles if he has come to see anyone in particular in the circle, and if so would he like to take the table to that person. “Yes.” says Charles as he moves the table across the circle to Sean - “It’s come over to me, it’s right on my lap now, and it‘s right up to my chin, it‘s almost as if it‘s hugging me, good evening.” says Sean. “That’s the table embracing you Sean.” says Mike. “Do you know a ‘Charles’?” asks Kath. “No…I don’t.” says Sean.

Sean then says “You know…that’s exactly what it feels like, its like the energy is wrapping round you and embracing you…as if it was a hug - Thank you very much Charles.” The table now moves away from Sean and back to the centre of the circle - Charles then says “You will find me, but I want you to stop worrying.” “You want Sean to stop worrying?” I ask. “Yes.” says Charles. “I can totally understand that, thank you Charles.” says Sean. Charles continues “It will be fine.” “Thank you Charles, I really appreciate that, thank you.” says Sean. “Bye.” says Charles. “God Bless, bye.” say sitters.

Our next communicator comes straight to the table and gives us the name ‘Alfred’. I then welcome Alfred to the circle and ask him if he too has come to see someone in particular in the circle. “Yes.” says Alfred. I then ask Alfred if he would like to go to that person - The table moves across the circle and onto Jean’s lap - “Hello, hello Alf.” says Jean. “Do you know Alf?” asks Kath. “I do, yes I do, God Bless you sweetheart.” says jean. The table moves further onto Jean - “Just a little bit of a hug, and that’s a lovely hug, aww bless you, it’s lovely to see you again (the table is vibrating with excitement) [laughter].”

“He’s giddy jean.” says Kath as the table continues to vibrate on Jean’s knee. “Yeh, Oh well done,

I’m so pleased that you could come tonight.” says Jean as the table jumps off her knee and goes back to the centre of the circle. “Do you wish to say something Alf?” I ask. “Yes, happy birthday.” says Alf. “Oh thank you, I will treasure that.” says Jean. Alf then communicates the letter ‘P’ - “Are you wanting pencil and paper?” I ask. “Yes.” says Alf. As I put on the red light to bring in the A4 paper and pencil the table begins to rock - the table is rocking even faster as I place the pencil and paper on it. Jean checks both sides of the paper to make sure it is blank, and then I turn off the red light.

Mike now tells us that Alf has put the paper under his hand to steady it whilst he writes. We now sit and watch as the illuminated pencil lifts up from the table and begins to write on the paper - just over a minute later Alf puts the pencil down on the paper - “Are you done?” I ask. “Yes.” says Alf. “Wonderful, he’s pushed it (the paper) over to me.” says Jean. We put on the red light and read Alf’s message to Jean: “Hello Jean, this is amazing. Do you remember the pocket watch? I like it too. Bless you, Alf xxx.”

“Oh well done Alf.” says Jean as I put the paper away for safe keeping until after sitting. “It’s something to treasure.” says Mike. We ask Jean about the pocket watch, but Jean does not recall it, but Jean also says that Alf worked on the railways so there is a good chance that he had one. “Is it just a memory?” asks Kath. “Yes.” says Alf. “But I don’t have the pocket watch?” asks Jean. “No (you don’t).” says Alf. “I’m sure someone in the family may (have it).” says Jean. “Yes.” says Alf. “But we remember you fondly, and we think and speak about you often Alf.” says Jean. “Yes.” says Alf. “Yes, we’re all together bar one, as you know.” says Jean. “Yes.” says Alf. “So, you’ll come again?” Asks Kath - the table rocks excitedly [laughter]. “You’re very welcome to come again Alf, my word you will.” says Jean. “Bye.” says Alf. “Bye, God Bless.” say sitters as Alf leaves us.

Our next communicator gives us the letter ’L’ through the table - “Is this young Luke?” I ask. “Yes.” says Luke. “Hi Luke.” say sitters. “Oh, the table’s up on my knee…hello Luke, is this you, really you.” says Jean. “Yes.” says Luke [laughter]. The table is now off Jean’s knee and back on the floor - Luke then communicates the letters ‘Au’ - I then interrupts with “Is this Aunty Jean?” “Yes.” says Luke [laughter]. Luke then says “I can write more than that (more than Alf had written).” [lots of laughter from sitters]

“Bless you, you’ve perhaps had more practice Luke.” says Jean. “Yes (I have).” say Luke [laughter]. Luke now communicates the letter ‘P’ through the table - “Do you want the pencil and paper?” I ask. “Yes.” says Luke. “It’s not just words is it Luke…money where your mouth is.” says Jean as I place the pencil and paper on the table. “Yes.” says Luke. The paper is once again checked on both sides and then the light is put off. “Right son, bets are on.” say I jokingly as Luke begins to write on the paper. “Wow, that’s quick…picking up that pencil.” says jean. Just over eighty seconds later Luke puts the pencil down on the paper.

“Are you done?” I ask.” Yes.” says Luke. “May we look?” I ask. “Yes.” says Luke. We put on the light and read Luke’s message to Jean - the message reads: “Aunty Jean, roses are red, violets are blue, sugar is sweet, and so are you xxx.” the message ends with a drawing of a heart with an arrow through it.

“Well done Luke, and you can draw hearts and things.” says Jean. Luke now communicates ‘Ki’ through the table - knowing all the toys we have in the room, I know the only thing we have beginning with ‘Ki’ is kites - “Kites?” I ask. “Yes.” says Luke. “Just the kites?” I ask. Luke pauses on the table so I ask “Do you want the school bus?” “Yes.” says Luke [The reason I asked about the school bus is because Luke normally asks for this along with the kites to do a certain trick]

I put on the red light and bring in the two kites and the small toy school bus - I place the kites on the table and the bus on top of the kites, I now turn off the red light. The trick I spoke of, is that Luke normally flicks the top kite, this in turn flicks the school bus upwards, and when it lands it usually lands upside-down on the table - the bus has a button on its roof, and when pressed the side lights on the bus begin to flash. Just by hitting the table upside-down, this normally presses the button and sets the lights flashing, but unfortunately this evening Luke flicks the kite, the bus flies up but on its way down misses the table and hits the floor.

The kite is now up in the air shaking from side to side as if in a breeze, this in turn wafts displaced air into sitters faces creating a much needed breeze in the room. The second kite is now in the air - Jojan at this point tells us that the first kite is now across her face. The second kite is now on My and Jean’s lap. It goes very quiet in the room…Kath says “It’s weird when he (Luke) is quiet.” “The calm before the storm.” says Sean. Doris now tells us that Luke is touching her hand - “Oh, hello sweetheart.” says Helen as she also is touched by Luke. Helen then says “Oh, just tie me up, thank you very much.” as Luke ties her hands with the string hanging from the kite.

The kite is now back up in the air, and Helen is up out of her chair as she is still attached to it - “Where’s Helen?” asks Kath - “Right in front of you Kath.” says Helen [laughter]. Luke is now wafting the kite very fast in the air above us, and we then hear a slapping sound on the table - “That’s my hand (being slapped).” says Ross. “What’s he (Luke) doing now?” I ask. “I don’t know.” says Ross. Seconds later we realize that Luke has taken one of the plastic rods from the kite (that keeps the kite rigid). The rod has a luminous tab on either end of it, and Luke is now spinning the rod round thus creating a tiny wheel of light just above the table.

Doris’ hand is now taken and put on the table, then Mike tells us that his hand has been taken and put on someone else’s hand on the table. The rod from the kite then starts to spin again, this time so fast that it looks like a helicopter rotor hovering above the table - there is a terrific whooshing sound coming from the rod as Luke spins it faster and faster - “The speed he (Luke) is moving that, is fantastic.” says Sean. “It’s on the back wall now.” says Kath as the spinning rod flies out of the circle over her head (totally under Luke’s control). “It’s like being in the headmaster’s office.” says Kath as the rod now sounds like a cane being swished.

Luke now brings the rod back into the circle and starts to tap on the table with it, and seconds later it is up in the air again spinning round - “Like a rodeo star.” say I as Luke spins it faster, and it now looks like a lasso spinning over the table. “Yee hah!” says one sitter [laughter]. “That is fantastic!” says Sean. Kath now asks if we may put on the red light to look - “Yes.” says Luke. We put on the light to laughter from sitters as we find Jojan with a kite adorning her head and face, and the other kite on the table in bits (minus the rods that Luke had taken). Photos are taken, especially of one of the rods that Luke had wound the string round so neatly.

Luke now asks us to remove the kites from the table, which we do, Luke then communicates the letter ‘R’ through the table - “Ropes (skipping ropes)?” I ask. “Yes.” says Luke. “All three?” I ask. “Yes.” says Luke. I put on the red light and bring in the three skipping ropes and place them on the table. Immediately I put the light off Luke is unravelling one of the ropes, it is now up in the air spinning round above our heads, then out of the circle it goes, over Kath’s head to the back wall.

Luke spins the rope faster and faster, we now have that wheel of light from floor to ceiling - I mention that Luke is doing this without touching the spare table that is seated behind Kath, but sure enough Luke then starts to belt the table with the rope as it spins [laughter]. “Alright Luke, just because he (Terry) said that you weren’t touching it.” says Kath jokingly [more laughter].

Luke now brings the spinning rope back into the circle, as he enters the circle one end of the rope is put round Jojan’s neck, and the other end is now spinning round in circles just in front of Jojan. Another rope is now picked up off the table by Luke, and this one is now spinning along with the one round Jojan’s neck - this rope (still spinning) now gets very close to Mike, then it is out of the circle over Kath’s head, spinning near the back wall. The circle table begins to stir, and within a second or two it is upside-down and over onto Kath‘s knee. The rope spinning outside of the circle now comes back in and begins to dance over the table legs.

The table now moves across to Mike, and then back to the floor, the rope is still dancing between its legs. The rope is now over near Jean, spinning round in circle again - “Be careful with Aunty Jean.” says Kath to Luke. “Yes, be careful with Aunty Jean.” says Jean as the spinning rope gets closer to her - “You can do what you want with Sean, but be careful with Aunty Jean.” says Kath jokingly [laughter]. Sean is now describing to us how Luke has got his hand, and is wrapping one end of the rope round it whilst the other end is still dancing around over the table - “You wouldn’t think there was enough rope (to do both).” says Jean.

Moments later Luke releases Jojan and Sean from their bonds - “That was very controlled, all the time it was on my hand, it never touched me, very well done Luke.” says Sean. Ross now gets an affectionate slap from Luke, at the same time Mike tells us that he has had his hand touched - moments later Luke communicates ‘bye’ through the table. “Bye Luke, God Bless.” say sitters as Luke leaves us.

Our next communicator comes to the table and gives us the letter ‘L’ - “Is it Lucy?” I ask. “Yes.” says Lucy. “Good evening Lucy say sitters. The table is up and over to Jean now, and seconds later it is back on the floor and Lucy communicates the letter ‘K’ through the table - “Keyboard?” I ask. “Yes.” says Lucy. “Just one (as we have two)?” I ask. “Yes.” says Lucy.

The table rocks from side to side as I put on the red light to bring in the small keyboard - the instant the light goes off Lucy is playing on the keys. ‘Oh Suzanna’ is the first inbuilt tune that Lucy presses the key for, and we all sing along to the tune, but within seconds Lucy has stopped that tune and is playing with the symbols key - Lucy then gives us a variety of different tunes as the keyboard hovers just above the table. We now have ‘Oh Suzanna’ again, then ‘Old Macdonald’ which we all sing along to. Lucy now takes the keyboard over to Sean and places it on his arm whilst she continues to play it.

“Well done Lucy.” say sitters as the tune changes to ‘Oh When The Saints’, and seconds later the keyboard is off Sean’s arm and over onto my (Terry‘s) hand. Whilst on my hand Lucy begins to go through the scales, first up the scales and then down. “Well done.” says sitters as Lucy now puts the keyboard in my lap. Moments later Lucy says ‘bye’ through the table. “Bye Lucy.” say sitters.

The table rises up in the air then back to the floor as our next communicator ‘Freddie’ (Doris’ Husband in Spirit) comes to the table. “Good evening Freddie.” says sitters. Doris then asks Freddie a personal question which he answers. Freddie then communicates the letter ‘P’ through the table - “Paper and pencil?” I ask (this is an educated guess on my part because Freddie more often than not asks for paper and pencil each time he visits). “Yes.” says Freddie.” I put on the red light and bring in the pencil and A4 paper, and after checking the paper on both sides I put off the light.

Thirty seconds later Freddie puts the pencil down on the paper - “Are you done?” I ask. “Yes.” says Freddie. “May we look?” I ask. “Yes.” says Freddie. I put on the red light and we read the message Freddie has written for Doris - Freddie’s personal message ends with lots of kisses. Moments later Freddie says ‘Bye’ through the table. “God Bless you, thank you for your help.” says Doris as Freddie leaves us.

We welcome Red Cloud back to the table - Red Cloud has nothing to say, but allows questions if we have any - Jean gives thanks to Red cloud for being able to meet up with extended family (Alf) for the first time in over fourteen years. Sean gives thanks to both sides of the veil for, in his words, ‘A mind blowing experience’. All other sitters give thanks for the Love and Healing received this evening.

The circle was closed with a lovely Prayer by Doris.

Duration of sitting: One hour and fourteen minutes.

Terry Nelson.

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Below are various photographs taken during the sitting as phenomena occurred - some were taken with a normal flash camera, and some were taken with the red light torch and digi-camcorder (snapshot feature).